Nazca Lines of Peru - A sign of Alien Occupation?

No matter how many places you go, Nazca lines (or Nasca) the weirdest and the most perplexing sight in the world. These figures were drawn by Nazca tribes around the time of the birth of Jesus Christ, and sometimes ranging over six hundred feet wide.

Bamiyan Buddhas of Afghanistan

When the Buddhas of Bamiyan were destroyed, the Taliban Muslims were shocked to find what was beneath the statues. Behind the statues were around 50 caves which was used (once upon a time) as a dwelling place for buddhist pilgrims.

Angkor Wat of Cambodia

with more than 200 acres in land, the temple is carefully safeguarded by a moat. The sheer size of Angkor Wat will make you speechless. It was built in the honor of Vishnu, a hindu god. The design is based on Mount Meru, which is the mythical abode of Devas (Hindu Deities).

Montreal, Canada - A great place for vacation

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Chillingham Castle - A Scary Place

A torture chamber intact with 8 century old torture devices, A ghost sobbing behind the wall and much more..

The Great Pyramid Of Giza

A Pyramid made of more than 2 million stones each weighing a ton, 4600 years ago. Unsolved mysteries of the Giza Pyramid, the interior virtual tour and fun facts! Click Now!

Fiji Islands - Pristine Beauty

A country of over 330 islands, over two thirds of them are uninhabited. The scenic beauty is unparalleled, and it is the best place to go whether you want to relax, or have fun round the clock!

1300 Year Old Carving of BodhiDharma Found in Mahabalipuram - Proves his Origin

The  Mahabalipuram cave temples in India are very mysterious and contain loads of ancient history in the form of carvings. I find myself visiting these structures again and again, for some strange reason. In one of the monuments, we can see the oldest depiction of Bodhidharma, carved at least 1300 years ago. 

Bodhidharma is a very mysterious figure and has statues all over China and Japan and is considered the founder of martial arts at the Shaolin temple. He is an iconic figure among Buddhist monks. All ancient Chinese texts agree that he came from a foreign country, but experts are not sure if he was from Iran or from India. This confusion exists because Bodhidharma came from a kingdom called the Pallava Kingdom. There are 2 kingdoms which existed under the same name, one in Iran and another in India. 
But this 1300 year old carving puts this confusion to rest, because it is the oldest carving of Bodhidharma that has ever been found and is found at the heart of the Pallava Kingdom in India which proves that he is in fact from India.
 We can see that he is wearing a long head dress that extends to his legs and is shown with a beard and mustache, typical of Bodhidharma's depiction in China and Japan. However, the most important feature is his extremely large eyes which are shown almost popping out. The reason for this is because Bodhidharma did not have any eyelids. This was his distinct feature. And we can see that Bodhidharma is shown holding a long stick, which was the only thing that he ever carried around.

Other saints look distinctly different from Bodhidharma
If we look around in this temple, this figure is sharply in contrast with all other figures in this monument. All other saints are clean shaven and are shown with their palms together. However, Bodhidharma is shown with a beard and mustache. 
This is definitely not a carving of a layman, because he is shown standing on top of a temple tower, such a depiction is only given to people who are saints or kings.  And the beauty of this carving is that it shows Bodhidharma when he was young, because he left India in his early twenties.

So, who was this Bodhidharma, and why did he travel to China? A Chinese disciple of Bodhidharma, by the name of Tanlin, clearly describes his origin in a book written around 550 A.D. He has written that Bodhidharma was a South Indian of the western region, and was the third son of a great Indian king. Also, the author Tsutomu Kambe mentions that Bodhidharma came from a city called (香至) Kang-zhi, which is actually pronounced as Kanchi in India. The city of Kanchi was the capital of Pallava Kingdom, which is located less than 50 miles from this carving. Bodhidharma's real name was Jayavarman, a prince of the Pallava dynasty, who renounced his luxuries to become a monk. He then traveled to China where he taught various specialties including meditation, martial arts and medicine. Don't forget to leave your thoughts in the comments section. Have a great day!

Surang Tila Temple - Built With Ancient Alien Technology?

I am at the Surang Tila temple which is at least 1300 years old, and the beauty of this temple is that they used earthquake-resistant construction to build this temple. You can see that the stairs are bent, this is the effect of a massive earthquake that occurred in the 11th century A.D. This earthquake completely destroyed all the other structures in the area, but could only bend the stairs of this temple and could not break the structure. How was this temple able to withstand a powerful earthquake which demolished everything else in the area? What kind of construction technology was used 1300 years ago? Watch the video below or read on.
The builders used many strange construction techniques detailed in an ancient text called Mayamatam, which is said to be 4500 years old. The temple has several vertical shafts going underneath the ground, nearly 75 feet long that create an air vacuum. This is why, the temple was able to withstand the massive earthquake, because these air pockets absorb and disperse the vibrations of the earthquake.   The other key reason is the use of a strange paste to glue the blocks of the temple. These huge stones are put together by a special type of concoction, also detailed in the ancient book. This paste is not only many times stronger than concrete, but will also last forever. So, how was this earthquake resistant technique created 4500 years ago? Strangely enough, the author of this book is called Mayasura, who is considered the leader of Asuras, a race of extraterrestrials. Ancient Indian texts repeatedly mention that he was the architect of many incredible megalithic structures.  

This temple was excavated in 2006, by Dr. Arun Sharma who is a government archeologist and he has unearthed many temples by following the maps mentioned in ancient Indian texts. Dr. Sharma is one of the very first government archeologists to openly state that this structure was built by extraterrestrials. The reason is not only because of the astounding earthquake proof technology, but also because of what was found underneath this temple. Beneath the temple, they discovered many strange figures that do not look like humans at all. 
They look like depictions of grey aliens. And some of them are even shown wearing goggles and helmets. A large mask distinctly resembling an extraterrestrial was also found, but it has been removed from the nearby museum, for unknown reasons. 
Is it possible that these figures depict Mayasura, the extraterrestrial who devised earthquake proof technology? If this is true, were all Asuras really astronauts who came from a different planet? In July 2014, just 200 miles east of this temple, another archeologist discovered something remarkably similar. He found rock paintings which show extraterrestrials with helmets and antennas sticking out of them. And these paintings, not only show aliens, but also their flying craft. This archeologist has also stated that these paintings in fact depict extraterrestrials. Is it a coincidence that all these evidences indicate that ancient aliens visited us in the past?

Was Surang Tila built with extraterrestrial technology? How else was this earthquake proofing done? Why were these strange faced figures with helmets buried underneath the temple? Why do we see these cave paintings with alien faces and flying craft in the same area? Please let me know your thoughts in the comments section. 

Musical Pillars at Hampi, India - How Do They Work? Rock Melting Technology & Cymatics?

The Vittala temple at Hampi is known for its mysterious musical pillars. The pillars create a variety of different music and sounds, perplexing archeologists and scientist. You can watch the video below or read on. 
 This structure, called the musical hall is now closed for renovation. However, I managed to get the actual sounds from these pillars. Here is a pillar which shows a man playing ancient drums. 
If you tap this, you will hear the sound of these drums. Now, here is the sound of a temple bell. And here is the sound of a school bell. Now, you can combine various sounds to create even modern sounds, for example, this is the combination of the temple bell and school bell to create the modern day door bell. How do these different pillars create various sounds? But this is nothing, when you take this pillar that is made of one stone and has small columns carved onto it. 
However, if you tap on them, they create the seven notes of the musical scale in Indian classical music which is similar to  doremifa, sol, la, ti in the western world. What kind of stone technology existed in ancient India that could mimic the sounds of musical instruments? We can see many, many different sounds of advanced ancient instruments like 'Jal Tarang', which uses water waves, 'Ghatam' which uses terracotta pots, and even sounds of string instruments are created on these pillars.

How do these pillars, made of the same material, which is granite create these various sounds? Is it possible, that the ancient builders, somehow created holes inside these pillars. Because the only way to make different sounds from the same material of the same size is to alter its density. So do these pillars have holes inside them, that creates various sounds? The British had the same question in mind, and they not only took a huge pillar like this one but also cut one of the small columns to see what was in it. 
Here you can see the column that is missing, this was cut by the British during pre-independence in 1930s.  And they were surprised to find that all these pillars and columns are just made of solid rock.
So, if there are no holes inside these pillars, how do you make them create different sounds. If they altered the dimensions like height, width and diameter, you could at least make them sound a little bit different. This is why we tap on walls to find out if they are thin or thick, because it will sound different. But if you look closely, all the columns have the same height, width and diameter, yet they create the seven notes of the Indian musical scale.
 If they are all of the same dimensions, same material, and don't have holes inside, how do they create different musical sounds. The only way this could be achieved is by changing the intrinsic density of the pillars, by adding a new material to it in different proportions, like modern day alloys. Today, we melt various metals and add them in different ratios to create the desired effect. However, did ancient builders melt solid blocks of granite and mix it with other materials to create different sounds? Locals argue that the musical pillars were created by rock melting technology. As evidence, they say that chains made of rocks were hooked to these corners on the ceiling.  
Now, this would be impossible without melting the rocks. These rock chains were later destroyed during foreign invasion just like the temple tower. A chain made of solid rock - is something like that even possible? Why do these corners of Hampi temple have empty hooks? Based on a tip, I traveled to Kancheepuram, which is 300 miles from Hampi. And here, we can see the chains hanging from the hooks on the corners. 

Yes, these chains, with many links, are in fact made of stone! Archeologists have confirmed that these are made of stone and were created at least 700 years ago! How could anyone create these stone chains with primitive tools? Even today, such a technology is not possible with modern machines. What kind of machines were used in ancient times and how were they able to create these chains made of rock? But this is not the main problem. The problem is that while the stone chains are made of sand stone, the ceiling is made of granite blocks. 
So, how could they connect 2 different types of rocks at this junction. We know for a fact that this is impossible without melting the rocks. There is no way to connect 2 different materials using links unless one of them is melted. So, these rock chains prove that the ancient builders did in fact melt the rocks and changed its density like modern day alloys.
Now, let's go back to the musical pillars of Hampi. We can be sure that the rock chains were once hanging from the ceiling of the musical hall, otherwise there is no need for the hooks. Now, to create musical pillars, we not only require rock melting technology, but also enormous understanding of sounds. Did ancient builders have a much deeper understanding of sound, just like modern day scientists? Today, we use a technology called Cymatics to understand sound and vibration. When struck with different musical notes and vibrations, different geometric patterns emerge. Is it possible that the ancient builders were also using Cymatics? And more importantly, are these patterns carved in the temple of Hampi?
Here, you can  see cymatic patterns carved on the ceiling of the Hampi temple. These carvings clearly resemble the patterns similar to the musical notes. Each musical note creates a certain pattern, and the ceiling of the musical hall is full of varying patterns. Even better, these carvings show sound in 3 dimension, and today we can create 3 dimensional cymatic patterns of the same sounds using holograph. Is it a coincidence that these cymatic patterns are carved all over the ceiling of the musical hall? Why else did the ancient builders take enormous pains to create these varying patterns on the ceiling? Even more interesting, the musical hall is closed because people have damaged it by tapping the pillars with keys and coins, while in ancient times, musicians exclusively used sandalwood sticks to tap on these pillars. And if you look at this Cymatics pattern closely, we see exactly what is going on. The women are standing in a circle, tapping with sticks and the sound they create is visually depicted in the center.
Let's go into the main chamber of the temple, to see if we can find more evidence. This place is completely dark and infested with bats, but it once housed the idol of Vittala, the main god of the temple. The idol is gone now, but on the ceiling, you can see a very large cymatics pattern. What is the need for carving such elaborate patterns on top of the idol in a dark chamber?

So, what do you think? How do these pillars create music? Did ancient builders use rock melting technology to alter the nature of rocks? How else can we explain these rock chains made of sandstone linked to the granite hooks? How is this link possible, without rock melting technology? How could one rock with columns of same dimensions produce 7 different notes? Why are these various cymatics patterns carved on the ceiling of the musical hall? In my previous videos, I showed you evidence of advanced machining technology and even the use of telescope in ancient India. How were these possible, without the use of advanced technology? Please let me know your thoughts in the comments section.

Evidence of Ancient Machining Technology - 900 Year Old Hoysaleswara Temple, India

The Hoysaleswara Temple in Halebidu is an incredible structure built 900 years ago. I am going to show you some solid evidence of ancient machining technology in this temple. You can watch the video below, or read on.

There is something very strange about these pillars. If you look closely, you can see these minute circular marks all around the pillar. These are created as a result of machining the pillar on a lathe, this process is called turning. There is no way to achieve this with chisels and hammers manually. If you look at these pillars, it is crystal clear that they were made with machines. In fact, archeologists agree that these pillars were created in a lathe, but offer no convincing explanation as to how these huge pillars were machined, 900 years ago. 
Nowadays, we are able to create these fascinating grooves and designs on a lathe, but machining a 12 foot tall stone pillar would be a very difficult job, even today. So, how were these pillars created with amazing perfection in ancient times? Did ancient builders use machines and advanced tools, just like what we use today? If this is true, is it possible that they also carved these machines or tools in this temple?
Above,  you can see a very strange device in the hands of a god called Masana Bhairava. This clearly represents a type of gear mechanism called planetary gears. The outer Gear has 32 teeth and the inner gear has exactly half the number or 16 teeth, which is precisely how we use reduction gears today. If this were just an imaginary tool, how could the ancient sculptors come up with this gear ratio of 2:1? Even more interesting, we can also see a fastener that goes around this mechanism and is locked in at the center. Today, we use the exact same technology, we use something called a circlip lock or a snap ring to keep these things in place. If historians are right, how could primitive people, working with chisels and hammers imagine such a mechanism? Is it possible that advanced machining technology was used 900 years ago? Is this why, we see such perfect pillars? What's more interesting is that this god is called Masana Bhairava (Masana = Measurement; Bhairava = God) which means God of measurement. Is it a coincidence that the God of measurement is holding an advanced tool?

But the best evidence of machining is not on the outside of the temple, let us go into the deep dark areas of the temple and see if we can find more evidence. There is a 7 foot tall god, with the most uncanny ornaments. His crown is adorned with skulls which are less than one inch wide. I realized that I could pass a small twig through one eye and it would come out through the ear on the other side. 
The twig can also be passed from ear to ear and also ear to mouth, and any way you want. What does this mean? It means that the entire skull is hollow inside. It is impossible to remove the inside of a small sphere which is only 1 inch wide. Even with modern machines, this would be a very difficult, but we know for a fact that creating a hollow sphere inside of such a small rock is impossible with primitive tools. Even more interesting, we can shine a flashlight between his head and crown, and the light shines through. 
There is a very small gap between the head and the crown. I tried to slide the same twig which is about 3 millimeters wide, but it would not go through. This means that the gap is less than 3 millimeters wide. How could anyone create a small gap, less than 3 millimeters wide, with chisels? Is it possible that the small skulls, crown and other pieces were carved out of separate rocks and then fixed together? No! Archeologists confirm that this 7 foot tall figure is made of one solid rock. I've always wondered why the carvings in the darkest parts of the temple have the most intriguing details.

Above is a woman who is wearing a large, thick necklace. However, if you shine a flashlight, we can see that this is not one necklace but two, because the light passes between the 2 necklaces. Again, I tried to put the 3 millimeter wide twig and it won't go between these necklaces. How do we explain these extraordinary sculptures made 900 years ago? 
The Hoysaleswara temple is famous for housing  the 6th and the 7th largest monolithic bulls in India. However, in terms of beauty, they are ranked first and second. This is because they look like they have been created with machining precision. For example, look at the level of polishing, you can literally see your face, like a mirror, and this is after 900 years of corrosion and damage. 
So, you can imagine, how perfect they would have looked at the time they were created. Is it possible that this kind of polishing was done with machines? Today we use tools like the Rotary Burr, for this level of polishing.  If you look at modern day drilling and polishing tools, they look like what you see below.

Were tools like these also used in ancient times, and more importantly, are these tools also shown in the temple's carvings?
Here we can see a tool that looks almost identical to the rotary burr, in the hands of a deity. Here is another one that is holding  a slightly different tool. 
Note that the devices look the same, but are not identical, the ridges are different. The drilling and polishing tools we use today, also have different ridges, for different types of machining. Around the world, we can see gods holding this mysterious tool that is thought of as pinecones. Are these really pinecones? Is it possible that the gods in this Indian temple are also holding actual pinecones, and not tools? Well, there are no pine trees in India, so how could the ancient builders in India have seen pine cones 900 years ago? Since that is not possible, is it possible that these Gods shown around the world are holding an advanced tool that was used for machining technology? Is this how the world's greatest megalithic structures were built? Also many of these "pinecones" shown around the world are depicted with a long base, just like any modern day tool. In a previous post, I have shown you a telescope carved in the same temple. How was this created without using machines?

So, what do you think? Were advanced machines and tools used 900 years ago? If they were not used, how do you explain these turn marks and grooves, holes that are less than 3 millimeters wide and incredible polishing? What about these planetary gears and strange tools? Please let me know your thoughts in the comments section. 

Telescope Carved in Ancient Indian Temple at Halebidu - History is Wrong

I think I have just discovered the most brilliant piece of evidence that proves that ancient civilization used advanced technology. We can see a carving of a man holding and looking through a telescope! This is carved at the Hoysaleswara temple in India and this debunks history. Watch the video below or read on.

 And without a doubt this is a telescope because the carving shows he has one eye closed and the other eye is open, typically how anyone looks through a telescope. And you can also see that the telescope is pointing up. This is shocking because all experts agree that this temple was created around 1120 A.D which is about 900 years ago. However, history books tell us that the telescope was invented much later - in 1608 by a man called Hans Lippershey, just 400 years ago. So, how could a telescope be carved in a 900 year old temple, 500 years before the invention of telescope?

This is a very good piece of evidence which proves that the ancient civilization of India used advanced technology. Every telescope needs at least 2 lenses. If they used telescopes, they would also have to manufacture lenses, hence glass manufacturing , grinding technology and relevant tools must have also been used. And If they knew how to manufacture telescopes 900 years ago, they would have definitely used other machines as well.

But this carving not only proves that telescopes were used 900 years ago, but shows that the telescope was used much earlier in time, thousands of years before this temple was even built.  If you take a step back and look at the entire carving, it is not showing what happened between human beings 900 years ago, but it is depicting a war scene that happened much earlier in time between 2 types of gods. On the left side, you can see the gods called Devas, and on the right side you can see the gods called Asuras. We can see that these gods are portrayed with completely different facial features, helmets and weapons.

Ancient Indian texts clearly mention that these Gods came down from the sky, thousands of years ago, and were equipped with advanced technology. These 2 races of Gods are not only described in ancient Hindu texts, but also described in another ancient religion called Zoroastrianism which originated in ancient Iran, thousands of miles away from India. In Zoroastrian texts the same gods are depicted with minor variations. The Devas are referred to as Daevas in both these religions, and Asuras are referred to as Ahuras in Zoroastrianism. If these religious texts are merely imaginary stories, how could these two ancient religions separated by thousands of miles, accurately portray these 2 races of gods? Is it possible that these gods were extraterrestrial beings who came down from the sky? The ancient Indian texts clearly mention that these gods came from other planets, for example, the Devas came from a planet called Devalokha.

Today, we are able to land in Mars using a spacecraft  and our astronauts can easily use a telescope on mars to observe other planets or even survey the land. Did primitive human beings also witness these gods who came from other planets using Vimanas or spacecrafts and used telescopes? How else can we explain this carving that shows a telescope 500 years before the modern invention? Is this why ancient Indian monuments show accurate portrayals of advanced machines? The brilliant monuments at Mahabalipuram, built 1300 years ago, shows an accurate model of a stage rocket.

The ancient Kailasa temple in Ellora Caves shows a type of Vimana similar to our modern day jet-pack. Why do we see this uncanny resemblance of our modern day devices to ancient carvings which were carved thousands of years ago? Is it possible that what we read today as mere religious books are really historical records of beings who came other planets?

It is one thing to use a telescope for observing stars and planets, but if you look at this carving, it is clear that this is a battlefield. We can see that the Devas are all holding shields and weapons and if you look at their legs, you can see they are perfectly aligned showing their tactical formation. So, why would anyone need a telescope in a battlefield?

Let's look to the right, and see if we can find the answer to this question. Here is their leader shown on a chariot. It is a shame that this sculpture was destroyed by foreign invaders, so we can't see all the details. But we can see that this Deva is holding a rod like device, which releases multiple missiles into the air. Today, we use the same technology- we call these equipment as multiple rocket launchers, capable of releasing many rockets at once. Again, if you compare the carvings of these missiles to our modern day missiles, they look identical.

In fact, ancient Indian texts clearly mention that gods used weapons called Astras which were more advanced than what we even have today. Many experts claim that astras simply mean arrows, however, the astras shown here clearly prove that they are not arrows. Arrows have to be long and thin to travel, these are too thick to be arrows. These carvings don't have a pointed edge, they have a rounded head like a modern day missile.

To the right of the missiles, we can see the Asuras. Of course, the actual space between these 2 armies has been cut off, because there is no way to show the actual distance in a single carving.  When we understand the magnitude of the weapons, we can understand why this Deva is using a telescope. The gods were not fighting with swords and spears, they were using missiles and aerial attacks in the warfare. So, a telescope would have been necessary to look up and see if any vimanas or astras are being deployed by the enemy.

Now, what would have happened when primitive human beings witnessed the arrival of these gods and watched them use these advanced gadgets? Eventually the gods would have taught human beings how to create and use devices like the telescope. They would have taught human beings how to read and write.

This explains why ancient Indian texts show a remarkable understanding of astronomy. These books give many surprising details about various planets and stars and modern day experts are quite confused as to how primitive people could obtain this kind of information. The answer is this, the primitive people were no longer primitive after they met their gods - they were using telescopes to observe and record their findings.  

Now, you can go through pages and pages about the history of telescope and we don't find anything about India. In Wikipedia, there is a detailed history of telescopes, but nothing about this carving. Why? Am I really the first person to find this carving? If a guy like me who has spent just a few weeks looking at this temple can find this information, there must have been many other historians and archeologists who must have also noticed this carving. In fact, government archeologists make a detailed note of each and every carving in these ancient temples.

Why are they not telling the public that telescopes were used in India much earlier than the 1608? If they do that, then they would have to agree that ancient India had very advanced technology, and Vimanas and Astras, were not mere fiction. If they agree that telescopes were used in ancient times, they would also have to agree that other devices and machines were also used. In short, they would have to rewrite the history books. So, they intentionally ignore  these carvings to portray the ancient civilization as a primitive civilization. And this hiding of facts to fool us, to prevent us from learning the real history is the very definition of conspiracy. 

Experts can try to hide this information, but I hope you can share this post with your friends, because even if you disagree with everything else I have said, this carving debunks the theory that the telescope was invented just 400 years ago. 

A Dinosaur Carved at Hampi Vittala Temple - How is that Possible?

Hey guys, this is the Vittala Temple at Hampi and I discovered a carving of a dinosaur in a remote part of the temple. Watch the video below or read on.

As you can see, it clearly looks like a dinosaur: It has a long pointed face, and has short and stout legs. 
Now, before we go any further, let's take a step back and look at it objectively if this carving could be some other animal, like a camel. We can also find carvings of camels in the same area, which makes it very easy to compare them side by side.On the left, you can see a man on a camel. Without a doubt this is a camel, has a rounded snout, has protruding earlobes and large eyes. 

However, the carving on the right shows a pointed snout, no earlobes, and the eye is carved so small,  its almost gone due to corrosion.  The neck of the camel is remarkably thin, but you can see that the neck of the animal on the right  is very thick, a typical feature we see in many different species of dinosaurs, like Camarasaurus for example. Here, you can also see the pointed snout, lack of earlobes and the small eyes, remarkably similar to the carving I found. The neck in this carving clearly goes all the way down to the legs, another typical feature of a dinosaur, as opposed to the camel's neck, which ends above the legs, proving that the carving on the right is in fact, a dinosaur. I am not gonna bore you with other details like how the dinosaur's legs are short and thick, while the camel's legs are long and slender, etc.

Okay, so a dinosaur is carved in the Temple of Hampi, so what? The problem is, scientists say that Dinosaurs became extinct 65 million years ago. And historians say the Hampi temple was built just 600 years ago. How could a temple built in the last 600 years show an accurate carving of a dinosaur, which became extinct 65 million years ago? Is it possible that Dinosaurs existed 600 years ago, so the sculptors could carve what they were looking at? No, it is not possible, because people would have recorded these creatures on history books, and we would find these dinosaur bones easily, almost at ground level. What experts find are fossilized bones of dinosaurs, confirming that dinosaurs became extinct millions of years ago. Since it is impossible that dinosaurs existed 600 years ago, is it possible that this temple was built millions of years ago? This sounds ridiculous because experts say human beings were not even there, millions of years ago, they evolved from apes much later, only about 1 million years ago.

So, again we have to step back and ask ourselves, Is it possible that this isolated carving was just made by a bad sculptor? Did a sculptor, who lived 600 years ago, try to carve a camel, and it ended up looking like this? However, this is not an isolated carving in a Hindu temple, we have other examples as well. This is a carving at a Hindu temple called Ta Prohm in Cambodia. 
Picture by Harald Hoyer from Schwerin, Germany [CC BY-SA 2.0], via Wikimedia Commons

See, this clearly shows a dinosaur species called a stegosaurus. If we assume that the sculptor at Hampi made a mistake, how do we explain this figure, which does not resemble any animal that we see today? Archeologists say that this temple in Cambodia was built just 800 years ago. If experts are right, how was a stegosaurus carved by primitive human beings 800 years ago? From both these carvings, we can absolutely confirm that these carvings do show dinosaurs.
So, again the question that needs to be asked is this: Is it possible that these Hindu temples were built millions of years ago? This is the only logical possibility. Did ancient human beings coexist with dinosaurs? We have to agree that there is something seriously wrong with our history books.

You can take a history book that is thousand pages long, and you don't find anything about these things. Why? If historians agree that ancient human beings built these temples 65 million years ago, they would have to say that man did not evolve from apes in the last 1 million years. They would have to agree that human beings were really sophisticated and possessed advanced technology and they were not a product of evolution, as scientists claim. So, they just abandon these carvings, so nobody can see them. You can see this priceless carving is surrounded by weeds, and nobody is going to bother looking at it to find out what it is. The Ta Prohm temple in Cambodia is also in ruins, who knows what other spectacular information is still hiding there?
Now, how do experts know that the Temple at Hampi was built just 600 years ago? Do they have any conclusive evidence that points to these dates? To this, experts agree that they don't have any solid evidence like radio carbon dating, and they don't have inscriptions in this temple that points to specific dates. Archeologists have found inscriptions in a much smaller temple nearby which was built 600 years ago. 
Picture by Dineshkannambadi [CC BY-SA 3.0], via Wikimedia Commons 

Therefore, they automatically assigned the same date to this temple which is much larger.  If the same person built the two temples, why didn't he put the inscription on this much larger, magnificent temple? So, we don't have any solid evidence that confirms that this temple was built just 600 years ago. While archeologists stick to the theory of 600 year old structure, locals tell a radically different history about this temple.

In India, every temple had its own history called Sthala Purana, before the arrival of modern history books. Locals claim that even though this place is called Hampi now, the original name of this place is called Kishkinta.  In fact, many people still refer to this place as Kishkinta, which is mentioned in ancient Indian books. These books tell us that mankind and these temples existed for many million years and human beings had a superior technology than what we have today.  

While historians say these ancient texts were basically imaginary stories created just 2 thousand years ago, the ancient texts claim that they are millions of years old. The Rig Veda, the oldest text in India, is full of secrets and repeatedly mentions another extinct animal called Ashva. Many people think that Ashva means horse, however the text clearly mentions that this species had 34 ribs. The horses we see today have 36 ribs. In the same temple, there are carvings showing human beings riding these extinct animals, which look completely different from horses. Evolution Scientists agree that no species can grow 2 extra ribs in a course of just two thousand years. 
Such evolution can take place only in a course of millions of years. And these animals have strange features including a trunk and protruding teeth. Are these just mythical animals or did they actually exist once upon a time, along with human beings?
Why do ancient scriptures all around the world talk of these strange animals and dragons? Why are the dragons shown as large, flying creatures that terrified human beings? All ancient civilizations, including India talk about these ferocious animals. The term "dinosaur" was coined only in 1842. Were they called dragons before this term was used? 
More importantly, did dinosaurs coexist with human beings? Something is definitely wrong with our history and science, and most importantly, something is terribly wrong with our understanding of the timeline of human history.

So, what do you think? Were ancient Indian temples built millions of years ago? How else could these carvings accurately depict dinosaurs which became extinct 65 million years ago? Do you believe that human beings evolved from apes? Or was man created by Gods, as all scriptures claim?

In Search of Aliens in India - Oldest Prehistoric Site Leads To A Trail of UFO Evidence

One of the largest prehistoric megalithic sites in India lies on top of a hill near a remote village called Hire Benakal in Southern India. This is a very mysterious place which has hundreds of strange stone structures built on top of the hill. Even though archeologists say these are prehistoric structures built around 5000 years ago, local people insist that these structures were not created by human beings and were built much earlier in time. They say these huge structures, which number in the hundreds, were built by a race of extraterrestrials called Moryar who visited us from another planet. Locals say the Moryar were only 2 feet tall and were responsible for teaching human beings various arts and sciences.Watch the video below or read on:

Locals usually don’t visit this site due to fear of disrespecting the Moryar, but this gentleman has decided to help me. Archeologists and historians also don’t visit this hill for a different reason: Bears. This is fresh bear poop and I don’t have bear spray. He tells me there are at least 3 dozen bears on the hill, and we should go back as soon as possible, but I insist on staying because there is something very mysterious about these mushroom like structures.
How were these structures built? You can see how these rocks have been sliced into thin slivers. The roof of these houses are nearly 12 feet long, but only 2 inches thick. How did ancient men slice these rocks into thin slivers, without breaking them?
 Even today, this is not possible without metal tools. How were they able to lift these massive rocks and balance them onto these thin slices like playing cards? And how did they transport thousands of these rocks from a different place?

The larger stone structures are about 8 feet tall, tall enough for human beings to enter, but look at these smaller ones. The entire structure is less than 2 feet tall and 2 feet wide, too small for anyone to fit in. This one is 4 feet tall, but the entrance is just 1 feet in diameter. How could a person of normal size get inside this small hole? And how were these circular holes made without metal tools?
Archeologists claim that these structures are not houses, but tombstones. They say these stones were erected on top of dead people, to remember them. However, archeology reports also confirm that they could only find animal bones and no human bones were ever found in this area. If this entire place was used for burial, we should have already found hundreds of skeletons or at least a few human bones. How is this possible? And even more important, they have not found any metal tools. If human beings built these structures as tombstones, why did they spend their lifetimes slicing these rocks with primitive stone tools?

The truth is, experts know very little about this place. They don’t even know the original name of this place, but locals call it ‘Moryar Thatte’. The word Moryar refers to the race of extraterrestrials and the word Thatte means a saucer or a plate in Kannada, which is the language of the state. 
These people call this place Moryar Thatte because they claim that extraterrestrials landed here in a flying saucer. This is incredible, because in my previous video I showed you the cave paintings clearly depicting the flying saucer and astronauts in a place called Onake Kindi. This site is just 15 miles from those cave paintings. Even more important, villagers around the cave paintings also refer to this specific painting as Moryar Thatte, which explicitly tell us that this was a flying saucer.

Who are these Moryar? Locals say the Moryar were much smaller than humans, looked reptilian and preferred to live underground. Exploring deep into remote villages, I realized that Moryar is simply another name for Nagas, the popular snake Gods of India. Village temples confirm that Moryar and Naga are the same. The Nagas are also shown as smaller figures, living underground with reptilian features in various temples, confirming that Morays are in fact Nagas.

Now, I had previously shown you the UFO cave painting at Onake Kindi, but have not shown you what’s inside the cave. Inside the cave, is another important painting– A Hooded Cobra, which is a symbol of Naga. 

This is a very huge painting with a hooded cobra coming out of the cave. The body of the cobra goes all the way into the cave for many feet, symbolizing the Underground Nagas.
Is it possible that these Nagas are in fact extraterrestrials, who landed here on a flying saucer? What would have happened when these advanced extraterrestrials contacted primitive human beings? If Moryar Thatte is the very first place of this contact, why were these huge structures built? What could have possibly been the purpose of building nearly 400 stone houses on top of the hill? While archeologists have no answers for these questions, locals say these structures were built as a training ground to teach human beings how to cut and balance rocks. As evidence, they point to this huge boulder, balanced on top of a slippery slope.
 Locals claim that extraterrestrials sliced this round boulder in half, just like how we cut butter. If we assume that human beings somehow sliced these smaller rocks and balanced them with primitive tools, how do we explain this rock which weighs 20 tons, standing on a slippery slope? Archeologists acknowledge that this rock is an important landmark in their plaques, and call it ‘Stone Kettle Drum' because if you strike this rock, it sounds like a bell. But they don’t offer any explanation about how prehistoric people could cut a huge boulder like a half sliced tennis ball.

Locals claim that these aliens not only trained human beings how to cut rocks, but also taught them various sciences and arts and this is how all human civilization began. Did human beings who worked closely with these extraterrestrials, become a superior group among other human beings? Did this group, armed with advanced stone cutting technology, build these extraordinary temples in India? If this is true, shouldn’t the temples also have carvings of these flying saucers? The Lepakshi temple, a brilliant monument holding the world’s largest monolithic bull and other giant structures, is an excellent example of ancient rock cutting technology. The real mystery however, is the series of giant circles, more than three feet wide, carved on the ground. 
They are all circular, with several smaller circles inside the circumference. Now, compare these carvings with the cave painting found nearly 180 miles away. Do you honestly think this is a coincidence, that they look the same?
Even more interesting, the locals in Lepakshi temple also call these carvings as Thatte, which means saucer or plate. Even though the name has stuck for thousands of years, locals don’t know why these are called saucers, and they think ancient people were using them as eating plates. Watch what the tour guide says. The idea that people could carve the world’s largest monolithic structures in this temple, but still did not have metal plates and ate from the floor, is of course nonsense. 
These carvings which have baffled experts before, clearly represent the flying saucers that landed on earth. In fact, we can see similar representations of these saucers in many mysterious temples, including Ellora caves. 
We can also see the Moryar or Nagas carved all over Ellora caves with the same features – smaller than humans, reptilian traits and living underground. Is it possible that Nagas worked with ancient human beings to build megalithic structures like Ellora caves? Is this why experts are unable to explain the hundreds of underground tunnels at Ellora caves, which are too small for human beings to enter? In standard history books we read that Ellora caves were created by primitive people using simple tools like chisels and hammers. If so, why do we not see the enormous amount of rocks removed from Ellora caves? Going back to Moryar Thatte, what about this rock that is sliced in half? Where is the other half? If this is the place where extraterrestrials taught human beings how to cut rocks, we must be able to see more evidence in the same region. In my next video, I will explore the mountains nearby and prove to you that ancient Indian temples were not created using chisels and hammers.

So, what do you think? Did Nagas come in flying saucers and civilize the primitive human beings? How else can we explain this advanced rock cutting technology, local stories and the cave paintings and carvings of flying saucers? Thank you for reading this, and don't forget to leave your comments below. 


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